Archive for March 30th, 2008

SF & Fantasy Sunday: THX 1138

George Lucas tries to fool the viewer into thinking this is art but art usually has heart behind it and this is a fairly shallow exercise that dresses up old ideas in new clothes, it’s Orwell’s 1984 bleached white. The idea of Lucas railing against a society that programs its citizens to be consumers is, these days, pretty ironic, this is the guy who makes Gordon Gekko look like a charity worker. Add a little to one line in the film and you pretty much get Lucas’ ideal world –

“Let us be thankful we have commerce. Buy more. Buy more Star Wars DVDs now. Buy. And be happy.”

You can guess what I added I think. And he may well have said this one to Spielberg about Indiana Jones and the Kingdom of the Crystal Skull

“Remember, thrifty thinkers are always under budget.”

Am I being a bit hard on Lucas? Probably but I’ve given this film a try twice now, once when I was much younger and now in its shiny new Director’s Cut form (actually the DVD cover proclaims it The George Lucas Director’s Cut as if we were expecting someone else’s). That first time I could put my dislike down to the fact it lacked the bells and whistles I wanted from my science fiction back when I was in my teens, this time though I’m older and more open to an intelligent piece of SF, but spending ninety minutes watching Lucas do the directorial equivalent of navel gazing while wasting the talents of two fine actors is not my idea of fun.

The Weekend Western: Will Penny

This is the old western-hero-hooks-up-with-mother-and-child tale that’s been done more than a few times before but what makes this so special is the central character of Will Penny. It’s as much a character study as anything else with the first half of the film dealing with his quest for work after completing a cattle drive and it’s only in the second half that the film becomes a love story, when he comes across Catherine Allen and her son Horace holed up in the line rider’s shack where he should be spending the winter.

Will Penny is possibly Charlton Heston’s finest performance, with the inveterate poser giving a rare understated performance. There’s a subtlety here that you don’t usually associate with big movie stars. Will Penny isn’t a larger than life hero, he’s a down to earth cowpoke who knows his best years are behind him and Heston plays him as such, allowing Heston the actor to overshadow Heston the Movie Star for a change.

Writer/director Tom Gries script gives the film an authentic, gritty feel that shows what a cold hard place the West was for aging cowboys like Penny, while Lucien Ballard’s cinematography lets us see that while it was a harsh place it was also a beautiful one.

Saturday Night’s Alright For Fighting: Zatoichi’s Cane-sword

Skipping number 14 in the series as it has yet to receive a DVD release with English subtitles (I’ve got an ‘unofficial’ DVD but decided to hold off reviewing it in the hopes that one day we’ll see a proper release) we reach Zatoichi’s Cane-sword. By now the series had established its formula and that formula has much in common with the American Western.

Zatoichi’s like the weary gunfighter who comes into town hoping he won’t have to use his gun again but, when he encounters a damsel in distress, he knows he’s going to have to take on the local cattle baron (or in this case Yakuza boss) . Of course gunfighters aren’t normally blind and they tend to leave fewer corpses behind than Master Ichi but you get the idea.

This time around Zatoichi’s got sword troubles. An ageing alcoholic swordsmith tells him that his cane-sword is on its last legs – one more fight and it will snap. What’s a blind swordsman to do? Hang up his gun sword of course. Ichi tries to live a normal life in a boarding house, taking a job as a live in masseur but when a Yakuza boss attempts to take over the town after murdering his rival, Zatoichi steps in to defend the murdered boss’s daughter.