Archive for March 22nd, 2008

Saturday Night’s Alright For Fighting: The Street Fighter

No not the Van Damme movie but rather Sonny Chiba’s first outing as Takuma Tsurugi, the badest of bad asses. Bruce Lee’s characters may have been tough but they had a moral compass, so long as you stayed on the straight and narrow you’d be okay. Tsurugi would think no more of killing you than he would of stepping on a cockroach. And he won’t just kill you either, he’ll kill you in the nastiest way possible, throats are ripped out, balls are ripped off, skulls are cracked open…even by today’s standards this is one violent flick.

Tsurugi is basically a hired gun (just without the need of the gun) and early on we see what kind of guy he is. When he breaks a man out of prison and the man’s siblings are unable to pay he kills the male and sells the female as a prostitute to a crime lord. He’s a psycho with a black belt whose only interest is the money and the violence.

Chiba commands the film, sporting a perpetual sneer he’s super-cool. He may lack the grace and style of Bruce Lee but he makes up for it in brute force, and the fight scenes have a gritty, down to earth feel to them, with unfeasible gymnastics kept to a minimum. Sonny’s gurning during the fights is at times amusing but the bone crunching action and copious amounts of ketchup splashed about ensure that he’s never a figure of fun.

The Friday Night Fright: Maléfique

Set, for the most part, in just one cell in a French prison, Maléfique has an intensely claustrophobic feel to it. The lead character is Carrère, a white collar criminal doing time for fraud. Sharing the room with him are some very eccentric characters – Marcus, a transvestite muscleman, Paquerette, a retarded young man who grew up living with pigs before eating his infant sister and Lassalle an intellectual driven mad by too much knowledge who murdered his wife at breakfast one morning.

When these odd and decidedly unpleasant characters stumble on a book hidden in one of the walls, written by a serial killer at the start of the twentieth century, things start to get a little weird. For as well as being a serial killer, Danvers, the books author, was also adept in black magic. When they realise that the spells in the book really work they see it as a way to escape their prison, but will it lead them to freedom or to eternal damnation? To call this Hellraiser meets Cube in a French prison would be oversimplifying things but there are certainly elements of those films present. It’s to the writers’ credit that this never feels like a rehash of old ideas.

I’ve never come across any of the cast before but they are uniformly excellent. With such an enclosed environment the interaction of the characters is very much to the fore, and it’s down to the playing of these four actors that the film is so successful. While director Eric Valette cranks up the tension admirably and there are some extremely effective gory set pieces it’s the characters that will stay in your memory.