Literally Speaking: The Quiet American (1958)
Joseph L. Mankiewicz’s adaptation of Graham Greene’s novel is a love story with a political backdrop. Michael Redgrave plays the bitter and cynical reporter Thomas Fowler opposite Audie Murphy’s idealistic young American with the pair competing for the affections of beautiful Vietnamese girl Phuong, played less than convincingly by Giorgia Moll.
This love triangle is mixed in with the First Indochina War fought between the French and Ho Chi Minh’s Viet Minh over Vietnamese independence. Apart from providing an interesting and unusual setting, it also anticipates American interference in the region which would lead ultimately to the Viet Nam War.
Despite all that though the film is at heart a love story, with our lead protagonists all doing what they do for love. The contrast between seasoned pro Michael Redgrave and Murphy, who stumbled into the profession after his World War II heroics got him noticed by Hollywood, mirrors their onscreen characters.
Few actors have been as convincingly world weary as Redgrave is here, there’s a hopeless desperation about Fowler, you get the feeling that his love or desire for Phuong is all that’s keeping his from a total breakdown. Yet given how things play out it’s hard to feel sympathy for him.
The boyishly handsome Murphy can’t really compete in the acting stakes but he doesn’t show himself up either. The American is a slightly ambiguous character; we’re never sure if he’s just the do-gooder aid worker he paints himself as or if he’s secretly working for the US Government. This must have made a pleasant change from the B western heroes Murphy usually played.
